Un-Titled Project is an annual art, fashion and culture magazine featuring in-depth interviews, personal essays, fashion, nudes, art and illustration.
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Interview by Laura Antonia Jordan with photography by Maurizio Bavutti and styling by Romina Herrera Malatesta.
Interview by John Mascaro with photography by Elisabeth Toll.
Photography by Tim Richmond styling by Romina Herrera Malatesta featuring Maisie Kennett.
Interview by Julia Szabo with photography by Tim Richmond.
Interview by Thom Lonardo with photography by Paul Mpagi Sepuya and styling by Sara Alviti.
Interview by Wayne Northcross with photographs by Lucas Foglia.
Interview by David Gagliardi with photography by Dennis Golonka and styling by Romina Herrera Malatesta.
Interview by Laura Antonia Jordan with photography by Dennis Golonka and styling by Romina Herrera Malatesta.
Interview by Alec Holland with photography by Nino Muñoz and styling by Johnny Wujek.
Interview by Madison Stephens.
A series 20 years in the making, featuring Annamaria and her mother Renata. Photographs by Yelena Yemchuk.
Interview by John David West with photography by Ben Lamberty and styling by Romina Herrera Malatesta.
Photos by Dennis Golonka featuring Heather Marks.
Photos by Christophe Kutner featuring Isabelle Nicolay.
Photos by Ben Lamberty featuring Marcel Castenmiller & Jacob Morton.
Photography by Yann Faucher featuring Emiel
Photography by Alexander Straulino featuring Joanna Stachniak, Mario Adrion, Cleo Cwiek, Martyna Budna, Sanna Backstrom, August Gonet & Elizabeth Salt.
Photography by Luis Venegas
Native New Yorker Peter Vack is an emerging indie darling, Renaissance man and burgeoning auteur, with an increasingly compelling voice in the art world buoyed by a growing resume of acting, writing, and directing credits that are a testament to his discerning taste and wide-ranging influences.
Photographs by Malerie Marder featuring Carson Meyer.
New York native India Salvor Menuez grew up in a fantasy world of her own that later blossomed into a creative collective that she started with a couple of friends at age fifteen. Nowadays, she is mainly focusing on performance with topics such as Ecology and Equality on her mind.
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Interview by Laura Antonia Jordan with photography by Dennis Golonka and Styling by Romina Herrera Malatesta.
Photography by Dennis Golonka featuring Bastian Thiery.
Photography by Christophe Kutner featuring Kel Markey.
Photos by Marcel Castenmiller & Ali Michael.
Collage series by Jean-François Lepage
Belgian designer Vincent Van Duysen’s architecture, interiors and products are rigorous in their attention to detail and luxurious in their use of natural materials, light and space, breathing new life and soul into minimalism.
Interview by Dennis Golonka
It’s Sunday afternoon in New York, and actor Chris Zylka and I plan to meet at the corner of Perry and Hudson Street in the West Village. We’ve never met before, but he’s easy to spot amongst the listless post-brunch crowd that’s shuffling about.
Jessica has an easy attitude as she talks. Yes, you could blame it on being Canadian (sorry Canada, you polite bastards), but really, I think she’s just enjoying the ride.
Photography by Enrique Badulescu featuring Janice Alida
Emilio Tini shares a day in the life of Janis Ancens.
That Victoria Bartlett decided to name her conceptual line of body-focused clothing. VPL says a lot about her and her brand. - and yes, it stands for what you think it does, 20-plus years in New York have done nothing to diminish this Brit's cheeky sense of irreverence.
Matt Dillon’s “new favorite word is verisimilitude.” It’s not the cadence of the adjective that draws him in, though my own tongue twists while he mouths it with ease. It’s the getting at the truth that he’s after. “Big things happen to little people,” he says self-deprecatingly, his voice a deep baritone, lacking in pretension. At the age of fourteen while cutting class, Mr. Dillon was discovered by a casting director for the film, Over the Edge and subsequently cast in the lead role as Ritchie, a troubled teen.
Marc Forster is recalling a dream. When people relay their dreams, my face usually halts to a bemused, glassy stare while my brain picks through a shopping list of things I would rather do. Even a fleeting hallucination feels too private to print (though confidentially, his detailed description of a goat haunted me for days).
Photography by Malerie Marder styling by Romina Herrera Malatesta
Max Irons is busy. Very busy. And so, after many failed attempts at conducting this interview in person, we finally settled on Skype to bring us together; he while vacationing in Greece, and I in NYC suffering through a blistering heat wave.
Words by Madison Stephens, photography by Anthony Ward, photographed in Upstate, NY.
Photographys and essay by Jamie Cullum.
The adjective “chiseled” is used pretty capriciously to describe handsome, male lead actors, but Scott Haze is actually chiseled. His face is almost beset by impossibly high cheekbones and the paleness of his skin and eyes make him seem as though he may in fact be carved of marble.
Interview by Wayne Northcross with photography by Kathy Lo and styling by Romina Herrera Malatesta.
Interview by Wayne Northcross with photography by Bruce Weber.
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Interview by Laura Antonia Jordan with photography by Dennis Golonka and styling by Romina Herrera Malatesta.
Dafoe recounts the circumstances that guided his choices from the beginning of his career to the here and now, recollecting his bafflingly conventional upbringing in the Lynchian-sounding Wisconsin town of Appleton, to his rise in theatre and film.
If you don’t know who Gustaf Skarsgård is already, it’s not strange. He doesn’t really give interviews, doesn’t really care about publicity, or socializing at “important” events. That’s because he prefers to put his attention on his job - an Actor.
Christophe Kutner drew inspiration for this series from the 1997 film Gummo, directed by Harmony Korine. The film was set in Xenia, Ohio, a small poor Midwestern town that had been previously struck by a devastating tornado. The loose narrative follows several main characters who find odd and destructive ways to pass time.
Sam Underwood may be the best known for his roles as dark serial killers, but behind his bright gaze and six-foot stature is a serious actor filled with humor and warmth.
Interview by Wayne Northcross with photography by Gregory Crewdson.
Fashion shoots are by definition concerned with the surface of things. Styles precisely timed for release and executed on the day to coincide with the seasons and to capitalize to the fullest on the actor’s upcoming projects. It’s a synecdoche of opportunity and effort, scored by a frenetic pace that leaves the images oftentimes errant to the day’s experiences. This begs mention because much like how we perceive editorials far removed from their inception and maturity, Jamie Campbell Bower’s images and body of work only goes so far toward illustrating a composite character.
When you go and see a movie you expect illusion. When looking at photographs, we expect them to tell the truth. It is normal for our understanding that the scenes in a movie are created, while a photograph "snaps” a scene that might not have been created to be in a photograph. It lets us observe something that maybe was not supposed to be observed, it's the absence of story that lets us imagine more than there probably was.
For days I’ve been on an Ethan Hawke marathon. Pouring over pictures, reading passages from his novels, and watching a daily diet of his films. I pretend to friends that this is a real chore. Secretly, I’ve been a virtual shut-in on a dopamine drip. For a moment last night, my DVD of Antoine Fuqua’s Training Day turned frozen and I felt my body go limp and mouth the words, “do not fuck with my delivery system.” Looking over his history of films is a little like revisiting my own past, certain actors you can’t help but grow up with. I never had a poster of Mr. Hawke over my bed, or a t-shirt of his smoldering face with ETHAN emblazoned below, or a doll-size version of him in my knapsack.
Jena Malone is on the move! Even our interview takes place as she’s driving up US 395 on her way to Lake Tahoe. What's impressive, though, is not that she can talk and drive at the same time, but just how eloquent she is at fielding my questions while keeping an eye on the road ahead.
Mary-Louise Parker is exhausted. She is starring in two movies that both open today. She’s in the middle of moving her family to Brooklyn, but it’s not going smoothly, and she needs to find a sublet. Plus, on what one assumes was her billionth press junket interview, she said something that is coming back to bite her in the ass. She said that she was thinking about quitting acting, due to the mean-spiritedness of the Internet. The Internet picked up on it, and has been having a field day with the story (SEE: Ironic).
Lily Cole is a really, really smart model. Which makes her a fucking unicorn. They don’t make ‘em like this. She went to Cambridge. She wants to help those in need.
Intervew by Ann Larsson with photography by Dennis Golonka featuring Sojourner Morrell.
Actress Jena Malone shared this very special portfolio of “stolen images” she collected while filming Catching Fire last winter in Atlanta and Hawaii. “We were not allowed to take photos on set, so I had to be a bit of a thief sometimes.” All photographed on her Nikon f100 film camera.
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"When I stop at Gelson's for some cigarettes and a bottle of Perrier, I find a lizard in the front seat. The checkout clerk is talking about murder statistics and he looks at me for some reason and asks if I'm feeling okay." - BRET EASTON ELLIS, Less Than Zero
The portraits within this portfolio take place in various hotel rooms across the US. I chose the neutrality of hotels with the intention of creating an empty canvas while inviting a sense of intimacy. I asked each subject to relax and recall an emotional memory. The goal was to combine cinematic composition with genuine emotions.
5 DAYS WITH ALICE is a self-portrait art project which purpose is to show some of the different faces & cliches of sexuality in the limited time of 5 days. From bondage, asphyxia, the use of childlike costumes, the fetishism of nails to the classical binomial of sexy girls & fast cars.
Interview by Peter Sarsgaard with photography by Malerie Marder.
Photos by Dennis Golonka featuring Dorothea Barth Jörgensen.
These images are from a collection of very intimate moments of life. While editing the project, I realized that most of the images were representing intimacy, and still, they kept a narrative strength. I love the color palette that is coming out of this work.
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Like much of Mark's work the story is an angelic and sexy collection. Leon's original style and distinct eye create visuals that both soothe and excite the mind.
My inspiration was to blend skin tonalities with a seventies southern California retro vibe.
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Photograhy by Magnus Reed featuring Nico.
For UTP Volume 3 Guy Aroch photographed Iconic Helena Christensen. The NYC based photographer moved to NY in 1993 to attend the famed School of Visual Arts. Guy quickly became a leading photographer in fashion, beauty, and entertainment. Today his signature use of color and tones gives his work a timeless feel while staying fresh, modern and unique.
Valley of the Dolls by David Armstrong
Photography by Thomas Giddings
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Photographs by Philip-Lorca diCorcia
Photography by Dennis Golonka featuring Iana Godnia, Kyle Sanders, Yasmina Muratovich, Amanda Lopes, Sam Waldman.
Jeremy Kost is a tireless chronicler of gender, sexuality, and nightlife. Born in Corpus Christi, Texas, he now lives and works in New York City, though he regularly travels the world to capture images, whether they’re of male models in the Californian desert or drag queens strutting through Pittsburgh. Strongly influenced by Warhol, both in his choice of subjects and technique, Kost extends the creative potential of some of Warhol’s favorite tools – the Polaroid camera, silkscreen processes, and more. In Kost’s work, Polaroid images not only serve as the basis of silkscreen paintings but are massed together in elaborate, multilayered photo-collages.
The work of Wendelien Daan takes you into a world in which people and everyday objects can sometimes take on a peculiar form.
Photography: Olaf Wipperfurth
Stylist: Friederike Jung / WIB Agency
Featuring: Takeshi, Ryuiji and Sophie Srej / IMG
Hair: Nicolas Eldin /
Photographer: Guy Aroch
Stylist: Priscilla Polley
Model: Sarah Stephens
Hair: Dennis Lanni
Makeup: Rie Omoto
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Julie Pike is a photographer based in Oslo, Norway.
Photography by Dennis Golonka styled by Nicole Fasolino.
