Un-Titled Project is an annual art, fashion and culture magazine featuring in-depth interviews, personal essays, fashion, nudes, art and illustration.
Marc Forster is recalling a dream. When people relay their dreams, my face usually halts to a bemused, glassy stare while my brain picks through a shopping list of things I would rather do. Even a fleeting hallucination feels too private to print (though confidentially, his detailed description of a goat haunted me for days).
Max Irons is busy. Very busy. And so, after many failed attempts at conducting this interview in person, we finally settled on Skype to bring us together; he while vacationing in Greece, and I in NYC suffering through a blistering heat wave.
Words by Madison Stephens, photography by Anthony Ward, photographed in Upstate, NY.
Sam Underwood may be the best known for his roles as dark serial killers, but behind his bright gaze and six-foot stature is a serious actor filled with humor and warmth.
The adjective “chiseled” is used pretty capriciously to describe handsome, male lead actors, but Scott Haze is actually chiseled. His face is almost beset by impossibly high cheekbones and the paleness of his skin and eyes make him seem as though he may in fact be carved of marble.
Interview by Wayne Northcross with photography by Kathy Lo and styling by Romina Herrera Malatesta.
"When I stop at Gelson's for some cigarettes and a bottle of Perrier, I find a lizard in the front seat. The checkout clerk is talking about murder statistics and he looks at me for some reason and asks if I'm feeling okay." - BRET EASTON ELLIS, Less Than Zero
Rushton is a Canadian born artist who has been living and painting in New York City for over 15 years. His work has been shown in galleries and art fairs across the US, Canada, and Europe. He's been nominated by Art Review Magazine as one of the top 25 upcoming artists to watch and was featured in the November 2013 issue of Modern Painters Magazine, focusing on contemporary artists using innovative processes.
Fashion shoots are by definition concerned with the surface of things. Styles precisely timed for release and executed on the day to coincide with the seasons and to capitalize to the fullest on the actor’s upcoming projects. It’s a synecdoche of opportunity and effort, scored by a frenetic pace that leaves the images oftentimes errant to the day’s experiences. This begs mention because much like how we perceive editorials far removed from their inception and maturity, Jamie Campbell Bower’s images and body of work only goes so far toward illustrating a composite character.
